In my work and creative process I consider questions about timeline change phenomena,differences in-between cycles and linear types of understanding time what is the connection of time and the human subconscious mind?In my printmaking series with forest views and a fragmentation of urbanistic landscapes I try to catch impressions of coded time-lines, as well as differences and the separation of surroundings.
 
The whole project started back in 2019, while visiting the Shimane region of Japan.I further developed my ideas during my study and printmaking work in Tidaholm,Sweden.
 
While spending the time in both places,I saw unique connections. The most inspirational experience was dwelling in meditative surroundings of nature such as forests,rivers and lakes, which invited me to concentrate and see.
Nature might seem so different in countries so far away, but what interested me the most was the code - cultural and environmental separation in a way, but at the same time - connection.There comes the questions of my art projects - how city people feel and experience the breakpoint of time, why it is important to look back sometimes and how does the understanding of horizon changes together in nowadays time?
 
With this exhibition I invite the viewer to feel and experience the process of time change, to see the uniqueness of nature, so well known for local people but maybe seen differently by me.In my exhibition there is a retrospective of early works from 2015, as well as my latest work created in 2024.
 
 
「私の創作過程において、時の流れについて考えてきました。周期的な時間と直線的な時間は人の潜在意識と、どのように関係しているのか。

取り組みは2019年に島根県を訪れた時からスウェーデンのティーダホルムでの留学時に発展していきました。それぞれの瞑想的な性質と、山と森と湖に囲まれた人々の暮らしにインスパイアされ続け、遠く離れた国々に文化や自然に関してのつながりを発見しました。
 
一度きりの体験に人は何度でも還る事が出来る。時の巡りをテーマとして、2015年から2024年の作品を展示します。」